An Early Mudlark

Up and out before 7am, daylight was just emerging. Strings of headlights were already making their way along the main road. In the distance three tall boxes of light came into view, one of them my bus. Fabulous London where you rarely have to wait more then a couple of minutes for your bus to turn up.

There is something so comforting about the familiar rocking, humming, hissing and rattling of the London bus as it gently judders you to your destination. 

The bus was full of the stillness and hush of early commuters. Just the occasional cough or turning of a page as we crept into the city. The sunrise tinged the grey clouds orangey pink. 

I was surprised I wasn't the first down on the Thames, another regular had beat me to it, but for the next couple of hours we were the only ones down there. Each absorbed in our little world of mudlarking pleasure. 

I spent the first hour methodically and very, very slowly searching one patch of ground, hoping to find the small and metal. Not much luck, although I did spot my first  tiny blue glass bead which I suspect are very difficult to date and a fly button. 

Mudlarking finds: Glass bead and fly button circled with 'Best Ring Edge'

I spotted one of the oldest pipes I've found so far, the small one at the top with a milled edge is from 1610-1640 pictured next to one from 1700-1770 to show the difference in size, as tobacco decreased in price clay pipes grew larger. 

Mudlarking Finds: R - L Clay pipes from 1700-1770 and 1610-1640

The second hour was the usual casual beach combing when the pottery catches my eye. More of the same but pleased with this very large piece of Werra slipware which was imported from Germany between 1550- 1650

Mudlarking Find:  German Werra Slipware 1550-1650

and this enormous section of what I suspect is a Roman box flue tile, covered in this earlier post, found where one of London's disappeared rivers, the Walbrook trickles into the Thames. Londinium was built up on either side of the Walbrook.

Mudlarking Find: Roman Box Flue Tile

I gathered up three boats which had punted off their plates 

Mudlarking Finds: Transferware boats 

and here's a reminder of the poximity of the sea, sadly he was no longer alive. 

and lastly what I mainly came down for and found in abundance as very few people want these broken bits of plain creamware and stoneware, which I'm going to need in bucket loads for that darned mosaic. 

Back on the bus, front seat at the top all the way home. Looking forward to a bacon sarnie and mug of tea. 

Mudlarking Mosaic - the beginning

I'm good at ideas but rubbish at execution. So it will take gargantuan effort for me to ever finish this thing and sadly most of the time it feels more of a burden than a pleasure, I'm hoping that will change as I get into it. 

Ever since I started mudlarking I've wanted to make something from all those bits of pottery. I came across a mosaic made of foreshore finds which I absolutely loved and knowing I couldn't better the design I settled on pure plagiarism, albeit rather ambitious for someone who hasn't made anything since primary school. 

Tania Covo the wonderful Thames jeweller told me what equipment to buy to get me stared, by enjoyable happen chance, she had worked with the mosaic artist I'm copying and assured me she wouldn't mind. 

So printed photos, ordered the equipment and pulled out my first set of pottery pieces, the ubiquitous shell edged pearl ware (1780- 1840)  with its blue edging, the relief decorated edges of white stone ware plates(1720-1780)  and the more yellowy cream ware popular from 1760. 

and had a go at a section of the design to see if I could 'do it', far from  perfect but good enough for me to pursue 

then did a bit more 

so decided to get serious and bought a book and  went to the wood shop. Realising that I would never get it together to put the wood together into a frame, my very kind husband took it down to a local carpenter and brought back a large 44" x 45" frame.

Created a template from the photo, blew it up on a photocopier, copied the design onto tracing paper on both sides, so that I could then transfer it onto the board. 

By this time I'd been banished to our party shed with all my 'stuff', so with Black Eyed Peas blasting out and youngest ensconced with his nintendo on a sofa nearby to keep me company, I finally marked out the design in pen. 

 priming and buying tile cement tomorrow - then I suppose I'd better get on with it. 

Cloth Seals

Embodied in these small slivers of lead is so much of England's past and Thames history. Cloth represented 90% of England's exports in the 16th Century and was the main export until the industrial revolution. London controlled 75-80% of this export trade, the Thames its conduit.

Cloth made up a large proportion of London’s £1 million export trade in 1560. It must have been linked with the livelihoods of many, many Londoners and funded so much of London's landscape.

Cloth seals were used across Europe from the late 14^th century – the early 19^th century as a means of identification, quality control and were part of state administration. The seals were attached to cloth by weavers, dyers or ‘alnagers’, crown officials who assessed whether the goods were of requisite quality and that tax had been paid. 

Blank cloth seals were caste in stone moulds

Stone Cloth Seal Mould (Bagseals.org)

Cloth seals were usually two discs (occasionally four) joined by a thin strip. One disc had a rivet, the other a hole. The   discs were folded together over the edge of the cloth, and hammered together with a die, which imprinted information onto the lead disc.

 

2 and 4 part cloth seals (office of history and archaeology Alaska) 

It’s the intricate designs on so many of the cloth seals which make them appealing. These can include the date and region of production or inspection, touchingly personal maker’s marks or symbols indicating alnage. The latter included heads of royalty, the crown, coats of arms, griffins or lions rampart. Alnage was abandoned in 1724 and sealing was abolished in 1889.

I haven’t found many cloth seals so far, but I’m now on a bit of a mission. I’ve found one I suspect is an alnager’s with a very small and faint crown at the top and either a letter or number below

Other examples of alnager’s cloth seals, all of which will be 300+ years old,  can be found below

Elizabeth I Alnage Cloth Seal 1558 onwards (bagseal gallery)

George I Alnage Cloth Seal 1714 onwards (bagseal gallery)

17th C Alnage cloth Seal (http://proteus.brown.edu)

The other one I’ve found I recon has a makers mark on it

 Mudlarking Find: Cloth Seal

I found a few other pictures of seals with makers marks.

Cloth Workers Personal Cloth Seal  18th or 19th C (Bagseal Gallery) 

Cloth Workers Personal cloth seal 1775-1825 (Bagseal Gallery)

Sometimes you can see the texture of the cloth on the reverse, as in this case

Most of the cloth seals found in the UK come from the Thames foreshore, most commonly from the late 15^th to early 19^th centuries.  One theory is that many dropped off textiles during the finishing processes of shearing, dyeing and fulling carried out in the many riverside workshops along the Thames. There was a concentration of dye houses along Thames Street, between Cannon Street and Southwark Bridge. In one study of seals found along the Thames, they identified seals from 24 different counties together with imported seals and many from London dyers.

The beauty of these Thames finds is that the tiny detailed imprints are often perfectly preserved due to the Thames anaerobic mud, whereas the lead found buried in other locations is often so badly corroded that no surface detail remains.

There are a few sites which are helpful in identifying cloth seals, including one put together by Stuart who generously offers to identify your finds, here. Also LM has found loads of cloth seals on the Thames and her potted history is also worth a read here.

It’s taken me a couple of years of mudlarking and the help of mudlarking friends to start spotting lead cloth seals along the Thames foreshore. The trick is to go slowly and scan between the stones and other debris, ‘look through them’ as one friend advised. Once you set your heart on finding a particular type of find, you usually start spotting them and don’t forget to take them down to the finds officer at the Museum of London.

Another Mudlark and the Thames Festival

Unexpectedly both the youngest and husband were off on separate weekends away. Suddenly I was a free agent. Summer had closed and London was bathed in its familiar grey. Everyone was back in town the roads were crammed with traffic and tubes were chocca. But the city was weekend empty just the occasional group of blokes clad in orange day glo directing juggernauts to the latest corporate building site. 

I bounced down to the foreshore in my last time shiny new posh boots, which I'd finally got round to buying two years after I starting this mudlarking thing. They make life so much easier down there, wish I'd got some before. 

Met up with  LM and we quietly mudlarked away for the new few hours. 

Well chuffed with my first ever thimble find. I think it's mid 17th - late 18th century as it has a waffle pattern of indentations on the top.  The dipples are very regular so it must have been machine made. A good thimble identification site is here.

Mudlarking Find: Mid 17th - 18th Century Thimble

Not sure what this is, it's 7.5cm long and 3.5cm wide. Could be made of lead but not certain. If it was a medieval fish weight I'd be very pleased, but it doesn't quite match the pictures I've found of these, another find to take to  the Finds Officer at the Museum of London. 

Metal Mudlarking Find. 

Medieval Fish Weights (time line auctions)

and I also rather like this top of a clay stopper, probably because I've found nothing similar before. 

Mudlarking Find: Clay stopper

Plus in 10 minutes picked up one or two pipe stems for my mosaic. 

Mudlarking Finds: Clay Pipe Stems & a few pipe bowls.

As we sat in the pub later we sifted and cooed through our finds, both our partners are rather bewildered by our continued fascination with the same old things we keep finding, so it's nice to find another soul who can find endless pleasure in revisiting their finds. 

I was free to spend the evening mooching around the Thames festival. I'm so disappointed they no longer run  banqueting tables down the middle of Southwark bridge, it was so brilliant to feast together with loads of other people, a very unLondon like social event - I blame it all on that man Boris. I wanted to seek out a couple of Thames films, managed to track down 'Portrait of a River' but whilst interesting it didn't match up to the films I'd seen at the Estuary Exhibition. Then ambled back towards Tower bridge to see 1513 A Ship's Opera, billed as 'a moving, operatic concerto of ships’ steam whistles, bells, horns, hooters, sirens and cannon as the centrepiece of the 2013 Thames Festival' I was intrigued. It wasn't quite as spectacular as I'd imagined it might be, but interesting none the less although mainly just a lot of hooting and tooting. Rather gorgeous though to see Tower Bridge opening and lit up and the Tower of London pooled with light. I took a very unprofessional little film on my phone, mainly to show my family, but thought I'd also bung it here. 

Ended up waiting for my bus at London bridge station which has been transformed from the Victorian dive into modernity with the Shard rising up from the bus station forecourt. Mad. 

Roman Tegula

Tegula is the twin of Imbrex the two types of tile which made up the Roman roof, a design nicked from the Greeks and still in use in Rome today.

I presume most of the red tiles you see on the Thames foreshore are medieval and they certainly are if they have one or two holes in them. But perhaps I'm wrong and many of the tile pieces are Roman for me it's just impossible to differentiate.

The Thames foreshore is littered with tiles. 

If the tile has a return like the one below it and it is found where Roman London lay, it may be a Roman tegula. 

Tom's mudlarking find Roman Tegula. 

This find was one of Florida Tom's gifts to me. Later that day I found another. Funny how you spot things once their image and identity is imprinted in your brain. 

Roman Londinium superimposed over modern London (Romanobritain.org)

The tegulae were laid in overlapping fashion. Some were just plain flat tiles, others had raised edges on each side (like the ones I've found) preventing the water from seeping between the join and channeling the water to the bottom of the tile. Later tegulae were a v shape whereby the edges converged slightly each becoming a funnel which slotted into the one below forming a continuous channel. 

The imbrex were semi circular and were place over the joins between tegulae. If well laid the result was a fully waterproof roof. 

tegula (a) imbrex (b) (wiki)

The roofing area was usually surrounded by antefixa and these were frequently decorated, now that would be a nice find. 

Roman Roof with Antefixa (Grahams Potted History) 

A few more mudlarking finds & the Estuary Exhibition

I had serious post holiday blues. After a few weeks in the country I was finding it difficult to accommodate ubiquitous concrete, endless coppices of different sized buildings healed into every patch of land, roads scarred with pot holes and tarmac tracks and the absence of big skies. A bit of Thames therapy was what I needed. I went down a couple of times, mainly to collect pottery for mosaic making. Few notable finds. My favourite is this piece of plate rim with apt snatch of poetry 'how I love to calmly muse..such an hour as this'. 

Mudlarking Find 'how I love to calmly muse such an hour of this'

Liked this romanticised river summer scene decorating the bottom of a bowl.

Mudlarking Find Transferware, bottom of small bowl.

A sucker for writing on pottery pleased to find T Andrews with its inverted N. The shard is hand sized and slightly curved. Nothing on the net on this one, so haven't a clue about its date. There are a few inclusions in the clay. Later I spotted a tile piece with 'rews' imprinted amongst the pottery of my blog header, which I would have found at least 18 months ago, perhaps from the same vessel? 

Mudlarking Find: T Andrews

This time did pick up one of the Raeran pottery bases I quite frequently spot, with its distinctive thumbed decoration and colour. The bottom of the  jug bulge seems far larger and thinner than usual, so perhaps I'm wrong. 

Mudlarking Find: base of Raeren ?drinking mug

Raeren Driking mug 1481 - 1610 (Museum of London) 

Walked through the city to Bank and caught the DLR which winds its way through the juxtaposition of council blocks and corporate opulence to Canary Wharf and meandered through the interesting but rather soulless 80's docklands redevelopment to the Museum of London Docklands. I'd be meaning to visit their Estuary Exhibition for ages. If like me you are rather drawn to landscapes on the margin,  with iron hulks of industrial pasts and worn resorts or just fascinated by the Thames you'll love this. The Museum of London's says 

Estuary brings together the work of 12 artists who have been inspired by the outer limits of the Thames where the river becomes the sea. The exhibition marks the 10th anniversary of the Museum of London Docklands, a converted Georgian warehouse on West India Quay. 

With its dramatic landscape – desolate mudflats and saltmarshes, vast open skies, container ports, power stations and seaside resorts – the Estuary has long been a rich source of inspiration for artists and writers. Through film, photography, painting and printmaking, the contemporary artists featured in this exhibition offer new insight into this often overlooked, yet utterly compelling, environment and the people that live and work there.

I particularly liked John Smith's Turner inspired film of the changing sea set against the sound of the waves breaking on the beach (Horizon (Five Pounds a Belgian) an interview with Smith about this work can be found here. Another favourite was the speeded up film of the Thames from the Sea to the City with old men of the Thames animated in their silent tales of their river and the bright fairground of Canvey Island peeking over its grey walled defence. Loved Bow Gamelan Ensemble brilliant performance on Rainham barges, as they are slowly submerged by the Thames tide. All very inspiring it made me want to 'do art' rather than spend my time in cerebral research about my Thames  finds - but sometimes these thoughts are best kept as thoughts as the realisation is much harder and the result often disappointing - we'll see. 

Finds from last month's midnight mudlark

Another evening mudlark on a balmy summer's evening after work. Met up again with London Mudlark and picnicked overlooking the Thames as we waited for the tide to go out. It's strange being down there on a weekday evening. The noise of city workers drinking interrupted our expected peace. As usual very impressed with London Mudlark's finds which you can find on her site here. 

I must say I didn't have the concentration or perseverance on this trip. At times I was certainly more interested in savouring the views and cracking open the bottle of beer I'd brought along. 

As the sun was setting we were surprised to be joined by a whole determined gang of no messing mudlarkers. They were drawn by the lowest tide of the year, we hadn't realised it was going to be so low. Loads of pipes were suddenly exposed, so I scooped up several with long stems. According to my pipe identification chart most of these are Georgian from around 1770, which is incredible as they look spanking new. You can find a previous post on clay pipes here.

Mudlarking Finds. Clay Pipes from around 1770s. 

A large section of what I presume is a German stoneware mineral water bottle, probably from the 19th Century. 

Mudlarking Find: Probably German Stoneware Mineral Water Bottle ca. 1800

I picked up some usual pins. The first is 4.5cam long and has an unusually large head and unpointy end, the others are thicker than the average Thames pin.  A previous post on pins can be found  here.

Mudlarking Finds: Pins 14th - 17th Century. 

A particularly large section of metropolitan slipware and a star design spotted by London Mudlark. A previous post on slipware can be found here.

Mudlarking Finds: Metropolitan Slipware probably 17th - 18th Century 

Surrey/Hampshire border ware 1580-1800 (Museum of London) 

Two interesting large pottery shards both painted over the glaze, I think this is called enamel.  The first I suspect is Georgian, the second with back and front shots is porcelain and possibly Japanese. I can't find anything similar on the net. 

Mudlarking Find. Hand painted pottery shard.