Pins found Mudlarking on the Thames.

Mudlarking, for me, has essentially been beach combing, wandering along the banks of the Thames, looking at the ground for things that catch my eye. I’ve wondered for while, what I’d find if I just sat down and looked closely at one patch. Last Friday I did just that, as I waited for my sister to join me.  I chose a slightly more muddy section, where erosion was uncovering pottery fragments from their centuries old resting place.  

I’ve been rather amused that my mudlarking to date has been quite’ gendered’, no digging or getting dirty for me. Only finding and probably looking for pottery, quintessential domestic remains. The boys on the foreshore invariably have their detectors, I assume metal their primary interest, coins, tokens, buttons, keys, buckles, musket balls, canon balls and badges.

Scanning my selected patch  I found my first metal find – pins – a wry smile about their domestic origins. I’d seen the guys on Mudmen uncovering pins on the foreshore, so I was half looking for these and there they were, not exactly in their hundreds but quite numerous.

17th ? Century Pins found Mudlarking on the Thames Foreshore

Amazingly old, web searches suggest pins found on the Thames foreshore are from the 14^th – 17^th centuries. Incredibly they were all handmade as pin machines weren’t in use until the early 19^th century. The  main body, the ‘shank’, was usually  made of thin brass wire. The pins heads  made separately from a spiral of thinner brass gauge, affixed to the shank and then dipped into molten lead/tin  to solder. Longitudinal grooves in a pinner’s bone, held the shafts whilst they were being filed to a point.

16th Century Pinner's Bone  with grooves at top where pins were laid for sharpening, from Portable Antiquities Scheme

Pins were used to hold clothes in place and used extensively in ruffs, skirts, veils and partlets. They were  expensive. A 1563 warrant gives the prices ‘lviij m [58,000] small velvet and hed pynnes at xx d [20 pence] m [per 1,000]’.  The industry was deemed so important that in 1483 Parliament passed a law prohibiting imports. In the next century they were imported in large quantities from France until John Tilsby established his Gloucestershire business, employing over 1,500 people. London pin makers formed their own corporation in 1636.

Ordinary people would have a small number of pins, the wealthy thousands. Janet Arnold documents the pin purchases from Elizabetht I over 6 months

"Item to Roberts Careles our Pynner for xviij [18] thousand great verthingale Pynnes xx [20] thowsand great Velvet Pynnes and nyne thowsande smale hed Pynnes and xix [19] thowsand Small hed Pynnes all of our great warderobe"

Pins were carefully looked after and sharpened periodically. They were extracted after use so as not to tarnish the fabric and placed in a pincushion. The portrait of Countess of Southampton shows her pincushion on  the dressing table.

Countess of Southampton's Dressing Table with Pin Cushion 1590. From It's About Time

Potters Leaving their Mark: Thumb Marks

Recently, mudlarking on the Thames, I purposely sought out pottery where hands have left their mark. Poignant reminders of their makers. Impressions left by the maker’s thumbs, whether part of shaping the object, fixing a handle to the main body or in decoration have to be the most moving of all. 

Fragment of Medieval? Pot Found Mudlarking on Thames Foreshore

When following the potter’s decorative thumb mark on the piece above yesterday, I noticed clear finger prints captured in the clay, at the top of the indentations.

Close up of thumb marks on Medieval? Pot, showing finger prints. 

Perhaps a bit of a rushed job, the shapes are not quite as uniform as they are on the second  and third sherds below.  All I suspect  are  from the rims of storage jars, all have traces of glaze.   The curves on two are very shallow, they must have been enormous. My uneducated guess is the first is hand formed red ware made between 1250-1450. The second  and third are both wheel made, the second perhaps redware from 1600-1700,  quite possibly made in London as the redware industry was firmly established in London from end of 15th Century. The third could be Surrey whiteware made between 1240-1500.  

Sections of Pot Redware and White Ware Pot Rims found Mudlarking on the Thames 

Just now I noticed what could be 500+ year old finger prints on the reverse of the whiteware. The potter must have held the inside of the wet pot whilst they created the indentations on the outside, magic. Double click on the photo for a better view. 

Close up of border whiteware sherd, showing  potter's finger prints. 

The last example is a tree trunk of a handle base, decoratively attached to the body of a cooking pot with confident thumb presses.  Are the blackened areas the remains of the fires that cooked countless meals?

The base of a redware cooking pot handle found on the Thames Foreshore

I prefer not to dwell on the hours I’ve spent googling trying to identify these finds, with only partial success. Clearly something best  left to the experts and my up and coming visit to the Museum of London’s Finds Officer. Meanwhile,  I’ll  continue with this series of posts, it’ll be interesting to see if I get any of this right. 

Beautiful Delftware

Delftware is my favourite pottery find, perhaps because it is so old, 1560-1750 yet its hand painted designs are so vibrant, bold and modern, similar to the Spanish and Portuguese pottery seen on holiday. Several pieces I've found are also quite quirky. The unfamiliar, poetic names of the original objects enthrall, puzzle jugs, fuddling cups, bleeding bowls, porringers, flower bricks, posset-pots, blue chargers, drug jars.

A favourite find, delftware pottery approx 4cm with childlike design 

Tin glazed dish  1571-1800  Museum of London 

Delftware was first produced in London from 1571 by two Antwerp potters, Jacob Jansen and Japser Andries, who opened a pottery at Aldgate. During the 17^th century several potteries were established close to the Thames in Southwark (in the wonderfully named Pickleherring Quay) , Lambeth, Vauxhall and  Rotherhithe and later at Putney and Wapping. The best delft descriptions I've found are from  Judith Miller, antiques expert, author and TV presenter, so many direct quotes from her,

‘Delftware is a type of earthenware characterised by its opaque white enamel glaze, made from a mixture of tin and lead ash, powdered glass and water.Before the development of this revolutionary enamel, British potters had been severely restricted in terms of decoration by the drab browns and greens of the clays they used. The clean white finish of Delftware allowed them to paint patterns, landscapes and portraits for the first time.They painted their naive designs in bright colours derived from various minerals - cobalt blue was the most widely employed, although copper green, manganese purple, iron red and antimony yellow were also used.’ 

Polychrome delftware shards found mudlarking on Thames foreshore 

English Delft Polychrome Dish 1675-1700, Christies

Drug jars, wine bottles, and ointment pots were typically produced in the 17th century 

Delft Drug Jars Early 17th Century, Christies

Delftware, some with manganese purple found mudlarking on Thames foreshore 

In the 18th century tea bowls, pots, cups and saucers were made. They were the possessions of the middle classes, status symbols, shown off in the best rooms rather than kept in the kitchen. 

In the latter part of the 18th century, Josiah Wedgwood promoted his more industrially produced tableware, which chipped less easily and was decorated in the new classical style, the public responded eagerly and delftware went out of production by the early 19th century.

Is this from a 400 year old money box?

To my surprise my web trawling suggests the small green glazed knob I found on the Thames foreshore topped a ceramic money box. The 'inside' shot shows  the potter's rather pleasing twist, used to create the lid.  

Money box lid found Mudlarking on the Thames, London 

Probably made from Surrey/Hampshire border ware. They were made between 1550- 1650, covering the life time of Shakespeare. Apparently, often found at theatres where they are thought to have functioned as box offices - could it have come from the original Globe Theatre, across the river from where I found this? 

Money Box from Museum of London 

A couple of weeks after posting this, I've just seen one of these money boxes in the Globe Theatre's exhibition,  it is so much smaller than I thought from this photograph, even though the Museum of London's photo above has the dimension. You could easily fit it into your hand. 

Bartmann Jugs 1550- 1700

Also called ‘Bellarmines’, produced in Cologne and surrounding towns such as Frechen, Germany, from 1550 – 1700 and exported to England in large quantities. They were later manufactured in England. These pieces have a very distinctive mottled effect, which was achieved by throwing salt into the kiln, producing a texture similar to orange peel. The fragments are likely to originate from jugs and bottles. For someone who knows nothing about pottery, I've found out that they are made of stoneware, a clay which is fired at high temperatures. This results in a more sturdy and chip resistant product which is more suited to transportation and storing liquids and food,  which is precisely what the Bartmann Jugs were used for. 

Salt glaze pieces, middle fragments from  Bartman Jugs 'eye' and 'beard' and 'medallion'  found Mudlarking  

Bartman Jug 

The face of a bearded man is emblazoned in relief decoration, on the neck of each one. Originally thought to represent the mythical wild man, popular in northern European folklore from 14th century. Later the face became linked with cardinal Robert Bellarmine (1542-1621), a fierce opponent of alcohol and Protestantism in Germany, perhaps by protestants wishing to ridicule the cardinal by associating him with vessels carrying alcohol. In the 17th century, many would be decorated with a medallion in the middle of the body, usually a coat of arms of royalty, noble families or towns. No success yet in finding a full Bartmann face, tantalisingly I’ve found a few fragments of face , an eye and beard and other decorations, perhaps monograms, sections of handles and undecorated jug pieces. One to keep looking for.